Revenge Finds Its Grayson Patriarch in 24 Alum William Devane
Knots Landing and 24 alum William Devane is about to get some Revenge.
Devane has been cast in two episodes of ABC’s new hit drama as Edward Grayson, the patriarch of the Grayson clan, who is summoned to the Hamptons by his daughter-in-law, Victoria, EW.com reports.
Even though Edward is the father of her estranged hubby Conrad, Victoria will turn to him for help in her brewing divorce battle. Sounds like father and son aren’t on the best terms.
Devane’s guest arc will air in February. Revenge returns with original episodes Jan. 4.
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woensdag 14 december 2011
U.S. regulators act to quiet blaring TV commercials
U.S. regulators act to quiet blaring TV commercials
U.S. communications regulators cracked down on excessively loud TV commercials on Tuesday, implementing a bill passed last year to quiet commercials to the same volume as the programs they accompany.
The Federal Communications Commission has been fielding viewer complaints about loud commercials almost as long as commercial television has existed, the agency said.
The commission voted unanimously to require TV stations and cable and satellite operators to ensure that the average volume of a commercial does not exceed the average volume of the programming around it.
Commercials for OxiClean stain remover, ShamWow towels and HeadOn pain reliever "will never be the same," FCC Commissioner Robert McDowell said at the agency's open meeting.
Commissioner Mignon Clyburn added that the agency's latest rulemaking will put an end to the "frightening decibel levels that resulted in considerable alarm, anger and spilt popcorn."
The order adopted on Tuesday implements the CALM Act, authored by Representative Anna Eshoo and signed into law last December.
The California Democrat told Reuters her idea for the bill started after "being subjected to the blast of the high volume of advertisements" while watching a football game with family.
After discovering that loud commercials had been the top complaint to the FCC by consumers for decades, Eshoo said she drew up the bill, never anticipating it would garner such an overwhelming response from consumers and fellow lawmakers.
"While this certainly doesn't resolve the huge challenges that are facing the country ... we may get some peace and quiet in households across the country," she said, adding that the FCC's action came on her birthday.
The new FCC rules enacting the CALM Act will go into effect in a year, giving TV providers have until December 13, 2012, to comply.
Using certain equipment and getting certifications from distributors for ads imbedded into programming will satisfy compliance requirements.
Larger operators will have to perform annual spot-checks of commercials for two years, but smaller operators will only have to monitor commercials if a pattern of complaints specific to their station emerges.
It marks the first time the FCC has attempted to regulate the loudness of commercials. The limitations of analog television made it too difficult previously, but the emergence of digital TV technology now makes it feasible.
U.S. communications regulators cracked down on excessively loud TV commercials on Tuesday, implementing a bill passed last year to quiet commercials to the same volume as the programs they accompany.
The Federal Communications Commission has been fielding viewer complaints about loud commercials almost as long as commercial television has existed, the agency said.
The commission voted unanimously to require TV stations and cable and satellite operators to ensure that the average volume of a commercial does not exceed the average volume of the programming around it.
Commercials for OxiClean stain remover, ShamWow towels and HeadOn pain reliever "will never be the same," FCC Commissioner Robert McDowell said at the agency's open meeting.
Commissioner Mignon Clyburn added that the agency's latest rulemaking will put an end to the "frightening decibel levels that resulted in considerable alarm, anger and spilt popcorn."
The order adopted on Tuesday implements the CALM Act, authored by Representative Anna Eshoo and signed into law last December.
The California Democrat told Reuters her idea for the bill started after "being subjected to the blast of the high volume of advertisements" while watching a football game with family.
After discovering that loud commercials had been the top complaint to the FCC by consumers for decades, Eshoo said she drew up the bill, never anticipating it would garner such an overwhelming response from consumers and fellow lawmakers.
"While this certainly doesn't resolve the huge challenges that are facing the country ... we may get some peace and quiet in households across the country," she said, adding that the FCC's action came on her birthday.
The new FCC rules enacting the CALM Act will go into effect in a year, giving TV providers have until December 13, 2012, to comply.
Using certain equipment and getting certifications from distributors for ads imbedded into programming will satisfy compliance requirements.
Larger operators will have to perform annual spot-checks of commercials for two years, but smaller operators will only have to monitor commercials if a pattern of complaints specific to their station emerges.
It marks the first time the FCC has attempted to regulate the loudness of commercials. The limitations of analog television made it too difficult previously, but the emergence of digital TV technology now makes it feasible.
Chelsea Clinton debuts on NBC's "Rock Center"
Chelsea Clinton debuts on NBC's "Rock Center"
Chelsea Clinton filed her first report with NBC's 'Rock Center' on Monday, returning to her home state of Arkansas to profile Annette Dove, a woman who runs a program for disadvantaged children.
Clinton's profile is part of NBC News' "Making a Difference" series and Brian Williams, host of "Rock Center" and anchor of the "NBC Nightly News," introduced Clinton by saying she "wants to tell stories."
Clinton joined Dove in activities like cleaning trash at the side of the road and cooking. The latter provided a rare moment of humor in what was otherwise a serious but uplifting story as Clinton admitted that she doesn't cook much (but she did make Thanksgiving).
After Clinton's report, she sat down with Williams to discuss Dove's program and her own motivations for appearing on the show.
While both NBC and Clinton have faced some criticism because the hire was seen as catering to political royalty, Clinton reiterated that she has made a conscious decision to accept the public nature of her life and make something of it.
As for future reports, she wants to tell "stories of people who see a gap and step into it."
Chelsea Clinton filed her first report with NBC's 'Rock Center' on Monday, returning to her home state of Arkansas to profile Annette Dove, a woman who runs a program for disadvantaged children.
Clinton's profile is part of NBC News' "Making a Difference" series and Brian Williams, host of "Rock Center" and anchor of the "NBC Nightly News," introduced Clinton by saying she "wants to tell stories."
Clinton joined Dove in activities like cleaning trash at the side of the road and cooking. The latter provided a rare moment of humor in what was otherwise a serious but uplifting story as Clinton admitted that she doesn't cook much (but she did make Thanksgiving).
After Clinton's report, she sat down with Williams to discuss Dove's program and her own motivations for appearing on the show.
While both NBC and Clinton have faced some criticism because the hire was seen as catering to political royalty, Clinton reiterated that she has made a conscious decision to accept the public nature of her life and make something of it.
As for future reports, she wants to tell "stories of people who see a gap and step into it."
"American Horror Story" house goes on the market
"American Horror Story" house goes on the market
For sale: Historical brick home in Los Angeles. Includes a grand ballroom, Tiffany light fixtures, six bedrooms, five baths -- and maybe a body or three in the basement.
The house where FX filmed its pilot for the creepy hit "American Horror Story" has been placed on the market, and for a cool-as-a-corpse $4.5 million it could be yours.
The three-story, 10,440-square-foot home, also known as the Alfred F. Rosenheim Mansion, boasts "a museum-quality set of Tiffany glass doors," six vintage tile fireplaces, and and a formal dining room with antique gold and silver-leaf hand-painted ceilings, among other amenities, according to its listing.
The house is a "one-of-a-kind residence" that "evokes the quality and grandeur of a bygone era," the listing adds.
We'll bet ...
Not to worry, though; the sale of the home -- is Marilyn Manson in the market for new digs? -- won't affect the filming of the Ryan Murphy/Brad Falchuk series.
Connie Britton -- who plays Vivien Harmon on the series -- told the Washington Post in October that, while the show's pilot was filmed at the house, the series itself is filmed within replicas of the structure.
"When we're on the set, it feels like we're in that house, to the point where on the set you know if you run up the stairs to the second floor, it kind of ends. It sort of just ends into nothingness, like you could actually eventually walk off of a platform," Britton explained to the paper.
For sale: Historical brick home in Los Angeles. Includes a grand ballroom, Tiffany light fixtures, six bedrooms, five baths -- and maybe a body or three in the basement.
The house where FX filmed its pilot for the creepy hit "American Horror Story" has been placed on the market, and for a cool-as-a-corpse $4.5 million it could be yours.
The three-story, 10,440-square-foot home, also known as the Alfred F. Rosenheim Mansion, boasts "a museum-quality set of Tiffany glass doors," six vintage tile fireplaces, and and a formal dining room with antique gold and silver-leaf hand-painted ceilings, among other amenities, according to its listing.
The house is a "one-of-a-kind residence" that "evokes the quality and grandeur of a bygone era," the listing adds.
We'll bet ...
Not to worry, though; the sale of the home -- is Marilyn Manson in the market for new digs? -- won't affect the filming of the Ryan Murphy/Brad Falchuk series.
Connie Britton -- who plays Vivien Harmon on the series -- told the Washington Post in October that, while the show's pilot was filmed at the house, the series itself is filmed within replicas of the structure.
"When we're on the set, it feels like we're in that house, to the point where on the set you know if you run up the stairs to the second floor, it kind of ends. It sort of just ends into nothingness, like you could actually eventually walk off of a platform," Britton explained to the paper.
"The League" picked up for fourth season
"The League" picked up for fourth season
FX has ordered a fourth season of the fantasy football comedy "The League," now earning series-high ratings in its third season, the network announced Tuesday.
The show, produced by FX Productions, includes Mark Duplass, Stephen Rannazzisi, Nick Kroll, Paul Scheer, Katie Aselton and Jon Lajoie in its ensemble cast.
The series is currently averaging 1.7 million total viewers and 1.5 million in the 18-49 demographic, up 25 percent and 32 percent from season two. Season three has featured guest stars including Seth Rogen, Jeff Goldblum, Sarah Silverman, Ray Liotta, Will Forte and Eliza Dushku.
"'The League' continues to be one of our most successful comedy series both creatively and from a ratings standpoint," said Nick Grad, said FX executive vice president of original programming.
The series was created by the husband-and-wife team of Jeff Schaffer ("Curb Your Enthusiasm," "Seinfeld") and Jackie Marcus Schaffer ("Disturbia," "EuroTrip") who also serve as executive producers and directors.
FX has ordered a fourth season of the fantasy football comedy "The League," now earning series-high ratings in its third season, the network announced Tuesday.
The show, produced by FX Productions, includes Mark Duplass, Stephen Rannazzisi, Nick Kroll, Paul Scheer, Katie Aselton and Jon Lajoie in its ensemble cast.
The series is currently averaging 1.7 million total viewers and 1.5 million in the 18-49 demographic, up 25 percent and 32 percent from season two. Season three has featured guest stars including Seth Rogen, Jeff Goldblum, Sarah Silverman, Ray Liotta, Will Forte and Eliza Dushku.
"'The League' continues to be one of our most successful comedy series both creatively and from a ratings standpoint," said Nick Grad, said FX executive vice president of original programming.
The series was created by the husband-and-wife team of Jeff Schaffer ("Curb Your Enthusiasm," "Seinfeld") and Jackie Marcus Schaffer ("Disturbia," "EuroTrip") who also serve as executive producers and directors.
"Boardwalk Empire" finale draws season high ratings
"Boardwalk Empire" finale draws season high ratings
"Boardwalk Empire" went out with a bang Sunday night -- and not just with the shocking demise of Jimmy Darmody.
The season two finale of HBO's Steve Buscemi-led, Prohibition-era drama posted a season high for the series, drawing 3 million viewers with its initial airing at 9 p.m. and picking up an additional 834,000 viewers with its 11 p.m. encore for a total of 3.8 million.
That marked a season high for the series, which averaged 2.7 million viewers this season for its 9 p.m. airings, and premiered in September with 2.9 million viewers (again, excluding encores).
The finale dipped slightly from last season's, which drew 3.3 million viewers for its 9 p.m. airing.
Sunday's "Boardwalk Empire" finale was followed at 10 by a preview of HBO's upcoming horse-racing drama "Luck," which averaged 1.1 million viewers. The series, which stars Dustin Hoffman and Nick Nolte, will receive its proper premiere January 29.
"Boardwalk Empire" went out with a bang Sunday night -- and not just with the shocking demise of Jimmy Darmody.
The season two finale of HBO's Steve Buscemi-led, Prohibition-era drama posted a season high for the series, drawing 3 million viewers with its initial airing at 9 p.m. and picking up an additional 834,000 viewers with its 11 p.m. encore for a total of 3.8 million.
That marked a season high for the series, which averaged 2.7 million viewers this season for its 9 p.m. airings, and premiered in September with 2.9 million viewers (again, excluding encores).
The finale dipped slightly from last season's, which drew 3.3 million viewers for its 9 p.m. airing.
Sunday's "Boardwalk Empire" finale was followed at 10 by a preview of HBO's upcoming horse-racing drama "Luck," which averaged 1.1 million viewers. The series, which stars Dustin Hoffman and Nick Nolte, will receive its proper premiere January 29.
dinsdag 13 december 2011
'Amazing Adventures Of Kavalier And Clay' To HBO? Stephen Daldry Wants To Adapt Michael Chabon Novel
'Amazing Adventures Of Kavalier And Clay' To HBO? Stephen Daldry Wants To Adapt Michael Chabon Novel
Michael Chabon's "The Adventures of Kavalier and Clay" could be coming to a screen near you.
According to Collider, director Stephen Daldry wants to turn the novel into a miniseries for HBO.
"I would love to do something for TV," he said. "I wanna do Kavalier & Clay on HBO as an eight-parter. It'll be so much better as a series, honestly."
There's just one catch -- Daldry doesn't have the rights to the book. Paramount does -- though Daldry himself was signed on at one point to direct a film version, the project has continued to languish.
"I spent a year working on it with Michael Chabon, so we're pretty close," Daldry told Collider. "And the rights, good question. Will Paramount give them to me? I don't know. It'll be a really good one. It'd go great with 'Boardwalk Empire.'"
HBO is already working with Chabon and wife Ayelet Waldman to develop a series called "Hobgoblin," which tells the story of magicians and con men working together to bring down Hitler. In June, it was announced that Darren Aronofsky will direct the pilot for the show.
Should HBO pick up the "Kavalier and Clay" project, it will be only one among what is a rapidly growing list of highbrow literary adaptations the network has taken on in the past year, to be turned into series, miniseries, and movies. Okay, are you ready? Here we go:
Along with the highly anticipated adaptation of Jonathan Franzen's epic midwestern family drama "The Corrections" (starring Chris Cooper, Dianne Wiest and Ewan McGregor, and directed by Noah Baumbach) and David Milch's adaptation of William Faulkner's work, HBO has announced its intention to adapt books including Karen Russell's Floridian picaresque "Swamplandia," Neil Gaiman's road-trip fantasy tale "American Gods," Stephen King's multi-part fantasy series "Dark Tower" series, Jennifer Egan's Pulitzer-winning "A Visit From the Goon Squad," Tom Perrotta's post-Rapture story "The Leftovers," Chad Harbach's baseball bildungsroman "The Art of Fielding," Susanna Moore's dark women's prison psychodrama, "The Big Girls," Carl Hiaasen's environmental thriller "Skinny Dip," Sara Gran's 1950s noir "Dope," Ann Hood's story of grief and recovery, "The Knitting Circle" (produced by, and starring, Katherine Heigl) and, with the BBC, Hilary Mantel's Booker Prize winning Tudor-era historical novel "Wolf Hall," and Robert Graves' classic Roman Empire novel "I, Claudius."
In addition to all that, Gary Shteyngart, author of "Super Sad True Love Story," is working on an original pilot for HBO, as is Sam Lipsyte, author of recent novel, "The Ask." It's getting to the point where acclaimed novelists may start to feel left out if they're not working with HBO.
HBO has also picked up some non-fiction titles for adaptation, including Diana Henriques' "The Wizard Of Lies: Bernie Madoff And The Death Of Trust" (with Robert DeNiro reportedly in talks to star), Robert Caro's biography of Robert Moses, "The Power Broker," Michael Gross' "Unreal Estate: Money, Ambition and the Lust for Land in Los Angeles," Barton Gellman's "Angler: The Cheney Vice Presidency," Raymond R. Sarlot and Fred Basten's memoir "Life at The Marmont" (about life at legendary Los Angeles hotel, Chateau Marmont, with Aaron Sorkin and John Krasinski attached), and Nicholas Johnson's Antarctica memoir, "Big Dead Place" (produced by, and potentially starring James Gandolfini). They will soon release their adaptation of Mark Halperin and John Heilemann's "Game Change," following their made-for-TV movie based on Andrew Sorkin's re-telling of the financial collapse, "Too Big To Fail" earlier this year.
HBO isn't just adapting books — films, and even websites, are fair game, too. The network also has plans to adapt the movie "The Kids Are Alright" into a TV series. They will do the same for Ian Palmer's documentary about bare-knuckled boxing bouts in Ireland, "Knuckle" (to be written by Irvine Welsh) and website, Lifestylelemonaid.com .
Of course both "Game of Thrones" (based on the books by George R.R. Martin), "Boardwalk Empire" (based on Nelson Johnson's "Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City") and "True Blood" (based on the books by Charlaine Harris), two of HBO's current titles, were also adapted from popular books, as was their successful miniseries "Mildred Pierce." And though HBO is the most prolific network, it's not the only one to turn its eye towards novels for the small screen -- a tactic that the British have long employed in adapting its country's classic novels.
Still, while HBO's current slate of shows contains more original shows (not adapted from any other source) than adaptations, it looks as if the future could be another story.
Michael Chabon's "The Adventures of Kavalier and Clay" could be coming to a screen near you.
According to Collider, director Stephen Daldry wants to turn the novel into a miniseries for HBO.
"I would love to do something for TV," he said. "I wanna do Kavalier & Clay on HBO as an eight-parter. It'll be so much better as a series, honestly."
There's just one catch -- Daldry doesn't have the rights to the book. Paramount does -- though Daldry himself was signed on at one point to direct a film version, the project has continued to languish.
"I spent a year working on it with Michael Chabon, so we're pretty close," Daldry told Collider. "And the rights, good question. Will Paramount give them to me? I don't know. It'll be a really good one. It'd go great with 'Boardwalk Empire.'"
HBO is already working with Chabon and wife Ayelet Waldman to develop a series called "Hobgoblin," which tells the story of magicians and con men working together to bring down Hitler. In June, it was announced that Darren Aronofsky will direct the pilot for the show.
Should HBO pick up the "Kavalier and Clay" project, it will be only one among what is a rapidly growing list of highbrow literary adaptations the network has taken on in the past year, to be turned into series, miniseries, and movies. Okay, are you ready? Here we go:
Along with the highly anticipated adaptation of Jonathan Franzen's epic midwestern family drama "The Corrections" (starring Chris Cooper, Dianne Wiest and Ewan McGregor, and directed by Noah Baumbach) and David Milch's adaptation of William Faulkner's work, HBO has announced its intention to adapt books including Karen Russell's Floridian picaresque "Swamplandia," Neil Gaiman's road-trip fantasy tale "American Gods," Stephen King's multi-part fantasy series "Dark Tower" series, Jennifer Egan's Pulitzer-winning "A Visit From the Goon Squad," Tom Perrotta's post-Rapture story "The Leftovers," Chad Harbach's baseball bildungsroman "The Art of Fielding," Susanna Moore's dark women's prison psychodrama, "The Big Girls," Carl Hiaasen's environmental thriller "Skinny Dip," Sara Gran's 1950s noir "Dope," Ann Hood's story of grief and recovery, "The Knitting Circle" (produced by, and starring, Katherine Heigl) and, with the BBC, Hilary Mantel's Booker Prize winning Tudor-era historical novel "Wolf Hall," and Robert Graves' classic Roman Empire novel "I, Claudius."
In addition to all that, Gary Shteyngart, author of "Super Sad True Love Story," is working on an original pilot for HBO, as is Sam Lipsyte, author of recent novel, "The Ask." It's getting to the point where acclaimed novelists may start to feel left out if they're not working with HBO.
HBO has also picked up some non-fiction titles for adaptation, including Diana Henriques' "The Wizard Of Lies: Bernie Madoff And The Death Of Trust" (with Robert DeNiro reportedly in talks to star), Robert Caro's biography of Robert Moses, "The Power Broker," Michael Gross' "Unreal Estate: Money, Ambition and the Lust for Land in Los Angeles," Barton Gellman's "Angler: The Cheney Vice Presidency," Raymond R. Sarlot and Fred Basten's memoir "Life at The Marmont" (about life at legendary Los Angeles hotel, Chateau Marmont, with Aaron Sorkin and John Krasinski attached), and Nicholas Johnson's Antarctica memoir, "Big Dead Place" (produced by, and potentially starring James Gandolfini). They will soon release their adaptation of Mark Halperin and John Heilemann's "Game Change," following their made-for-TV movie based on Andrew Sorkin's re-telling of the financial collapse, "Too Big To Fail" earlier this year.
HBO isn't just adapting books — films, and even websites, are fair game, too. The network also has plans to adapt the movie "The Kids Are Alright" into a TV series. They will do the same for Ian Palmer's documentary about bare-knuckled boxing bouts in Ireland, "Knuckle" (to be written by Irvine Welsh) and website, Lifestylelemonaid.com .
Of course both "Game of Thrones" (based on the books by George R.R. Martin), "Boardwalk Empire" (based on Nelson Johnson's "Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City") and "True Blood" (based on the books by Charlaine Harris), two of HBO's current titles, were also adapted from popular books, as was their successful miniseries "Mildred Pierce." And though HBO is the most prolific network, it's not the only one to turn its eye towards novels for the small screen -- a tactic that the British have long employed in adapting its country's classic novels.
Still, while HBO's current slate of shows contains more original shows (not adapted from any other source) than adaptations, it looks as if the future could be another story.
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