CBS 2012 Midseason Schedule Changes: Network Moves 'A Gifted Man'
CBS is shaking up its midseason schedule, moving freshman drama "A Gifted Man" to 9 p.m. on Fridays to make room for the return of "Undercover Boss."
The reality show will premiere its first three episodes in the Sundays at 8 p.m. slot until moving to Fridays at 8 p.m. on Feb. 17. CSI: NY will not return to the network's primetime Friday night schedule until March 30, after a six-week hiatus.
Meanwhile, Season 20 of "The Amazing Race" will premiere Sun., Feb. 19 at 9 p.m. ET.
See the full list of midseason changes below.
THURSDAYS (Effective Jan. 12)
8-8:30 p.m. "The Big Bang Theory"
9:30-9 p.m. "¡Rob!"
9-10 p.m. "Person of Interest"
10-11 p.m. "The Mentalist"
SUNDAYS (Effective Jan. 15)
7-8 p.m. "60 Minutes"
8-9 p.m. "Undercover Boss"
9-10 p.m. "The Good Wife"
10-11 p.m. "CSI Miami"
FRIDAYS (Effective Feb. 17)
8-9 p.m. "Undercover Boss"
9-10 p.m. "A Gifted Boss"
10-11 p.m. "Blue Bloods"
FRIDAYS (Effective March 30)
8-9 p.m. "Undercover Boss"
9-10 p.m. "CSI: NY"
10-11 p.m. "Blue Bloods"
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vrijdag 16 december 2011
Steven Moffat on Doctor Who series 7
Steven Moffat on Doctor Who series 7
With the incoming Doctor Who Christmas special set to be the last episode of the show until the autumn of 2012, Steven Moffat has given a new interview to Doctor Who Magazine, in which he offers some hints and teases as to what to expect from the next series of the show.
Firstly, he’s revealed that “nothing in the next run is starting out as a two-parter”, which potentially moves away from the formula set out when the show returned to our screens in 2005.
“At this stage, everything is a single episode, and the only reason anything will become a two-parter is if we think it needs to be”. Revealing that two-part episodes don’t, as has been suggested, save money for the show, he asks, “so what’s the point in them?”.
Instead? Well, “This year, we used a lot of cliffhangers and mysteries to pull people through, but then I remember the moment, at the end of A Good Man Goes to War, when we put up the title Let’s Kill Hitler. That was so exciting. I’m thinking, ‘Can we do that every week?’ You can sod off with poetic understatement.”
For series seven, therefore, “I want slutty titles and movie poster plots. I want big pictures and straplines”, hinting that the first episode for it that he’s writing will “feel a bit like Die Hard”.
Matt Smith in a dirty vest, then?
With the incoming Doctor Who Christmas special set to be the last episode of the show until the autumn of 2012, Steven Moffat has given a new interview to Doctor Who Magazine, in which he offers some hints and teases as to what to expect from the next series of the show.
Firstly, he’s revealed that “nothing in the next run is starting out as a two-parter”, which potentially moves away from the formula set out when the show returned to our screens in 2005.
“At this stage, everything is a single episode, and the only reason anything will become a two-parter is if we think it needs to be”. Revealing that two-part episodes don’t, as has been suggested, save money for the show, he asks, “so what’s the point in them?”.
Instead? Well, “This year, we used a lot of cliffhangers and mysteries to pull people through, but then I remember the moment, at the end of A Good Man Goes to War, when we put up the title Let’s Kill Hitler. That was so exciting. I’m thinking, ‘Can we do that every week?’ You can sod off with poetic understatement.”
For series seven, therefore, “I want slutty titles and movie poster plots. I want big pictures and straplines”, hinting that the first episode for it that he’s writing will “feel a bit like Die Hard”.
Matt Smith in a dirty vest, then?
'Doctor Who' Cast Shakeup: Amy And Rory To Leave The TARDIS
'Doctor Who' Cast Shakeup: Amy And Rory To Leave The TARDIS
Is the departure of Amy Pond and her husband a signal that a new "Doctor Who" era is approaching?
On Thursday, Steven Moffat, the executive producer of "Doctor Who," told an audience at a London press screening that the Doctor's current companions will exit the show at the end of the next season. The "final days of the Ponds are coming," said Moffat, who added that when Amy and Rory leave, "the Doctor will meet a new friend."
According to the official "Doctor Who" Twitter feed, Matt Smith, who currently plays the Doctor on the long-running show, said the couple and the actors who play them "brilliantly" will be missed, "but the great thing about 'Doctor Who' is its ability to change."
But just how much change is coming to the show? Amy (Karen Gillan) and Rory's (Arthur Darvill) departure had been rumored for months, although we'll have to wait a long time for the couple's swan song. New episodes of "Doctor Who" won't begin airing on either side of the Atlantic until the fall of 2012. (Thankfully, there is a one-off special that will air on Christmas Day on BBC America.)
The BBC and its U.S. offshoot, BBC America have not officially announced the schedule for the next season yet (beyond saying that the TARDIS will return in the fall), but many "Doctor Who" observers speculate that the season will be split into two halves again, as was the case with the most recent season. If that happens, we'd likely see a half-dozen or so "Doctor Who" episodes next fall, and another six or seven hours some time in 2013 -- which is, as it happens, the 50th anniversary of the storied sci-fi franchise.
No doubt the BBC and BBC America will want to take full advantage of the hoopla surrounding that major anniversary. This is pure speculation, but my guess is that some time during 2013, we will see a new Doctor take control of the TARDIS and a new executive producer/head writer begin running the TV franchise.
Why am I guessing there will be a changing of the TARDIS guard around then? As I said, the show will be getting maximum press coverage in 2013, and the BBC, which has gone through serious cutbacks in the U.K., appears to want to wring maximum revenue from one of its best-known franchises. "Harry Potter" director David Yates has been brought on board to develop a feature film alongside BBC executive Jane Tranter, and though any potential movie is years away, it just shows how serious the Beeb is about expanding the pop culture influence of the TARDIS.
Whether or not the movie happens any time soon, introducing a new Doctor to the Comic-Con faithful in 2013 would undoubtedly whip the show's fans into a huge frenzy.
But only time will tell if the departure of "the Ponds" is the beginning of the end of the current Smith-Moffat era. The actor and executive producer are only signed for the next season, which goes into production early next year. After that? At the risk of getting too punny about it, who knows? Though it's worth noting that rumors of Smith's possible departure sent the nerdier precincts of the Internet into a tizzy recently.
When I interviewed Smith at a Los Angeles hotel in August, he talked about enjoying the "Doctor Who" gig but wanting, at some point, to do films and get back into theater.
"I'm gonna shoot the next season and then see where I end up after that," Smith said at the time. Around the same time, Moffat told me in an interview: "I haven't got any kind of plans to leave. I take it one [season] at a time."
The thing is, Moffat currently has a heavy workload -- he is also an executive producer and writer of the PBS series "Sherlock," and before he took the reins of the "Doctor Who" franchise, he had a busy feature-writing career (he is one of the writers of "The Adventures of Tintin").
Here's a possible bit of geek heresy: Though I've generally quite enjoyed the Moffat era, which is marked by clever storytelling, cheeky humor and dizzyingly complex plots, I wouldn't mind if Smith were to stick around if Moffat does indeed depart the franchise. The most recent most recent "Doctor Who" season finale is a good example of what can sometimes go wrong in the occasionally over-caffeinated Moffat era. "The Wedding of River Song" had its moments, but, as I wrote in my review of it, it was superficial in all the areas in which I'd hoped it would go deep.
As I said in a recent piece, I'd love to see the actor explore different sides of the Doctor's character. Though Moffat increased the complexity of the adult relationships inside the TARDIS, he seems less than willing to take on intensely emotional stories in a direct way. As I wrote, I'm "quite intrigued by the idea of seeing Smith execute another writer's vision for the character." And it might be interesting to see him with another companion as well.
But that's just my two cents. As for what happens next in the "Doctor Who" universe, well, only time will tell.
Is the departure of Amy Pond and her husband a signal that a new "Doctor Who" era is approaching?
On Thursday, Steven Moffat, the executive producer of "Doctor Who," told an audience at a London press screening that the Doctor's current companions will exit the show at the end of the next season. The "final days of the Ponds are coming," said Moffat, who added that when Amy and Rory leave, "the Doctor will meet a new friend."
According to the official "Doctor Who" Twitter feed, Matt Smith, who currently plays the Doctor on the long-running show, said the couple and the actors who play them "brilliantly" will be missed, "but the great thing about 'Doctor Who' is its ability to change."
But just how much change is coming to the show? Amy (Karen Gillan) and Rory's (Arthur Darvill) departure had been rumored for months, although we'll have to wait a long time for the couple's swan song. New episodes of "Doctor Who" won't begin airing on either side of the Atlantic until the fall of 2012. (Thankfully, there is a one-off special that will air on Christmas Day on BBC America.)
The BBC and its U.S. offshoot, BBC America have not officially announced the schedule for the next season yet (beyond saying that the TARDIS will return in the fall), but many "Doctor Who" observers speculate that the season will be split into two halves again, as was the case with the most recent season. If that happens, we'd likely see a half-dozen or so "Doctor Who" episodes next fall, and another six or seven hours some time in 2013 -- which is, as it happens, the 50th anniversary of the storied sci-fi franchise.
No doubt the BBC and BBC America will want to take full advantage of the hoopla surrounding that major anniversary. This is pure speculation, but my guess is that some time during 2013, we will see a new Doctor take control of the TARDIS and a new executive producer/head writer begin running the TV franchise.
Why am I guessing there will be a changing of the TARDIS guard around then? As I said, the show will be getting maximum press coverage in 2013, and the BBC, which has gone through serious cutbacks in the U.K., appears to want to wring maximum revenue from one of its best-known franchises. "Harry Potter" director David Yates has been brought on board to develop a feature film alongside BBC executive Jane Tranter, and though any potential movie is years away, it just shows how serious the Beeb is about expanding the pop culture influence of the TARDIS.
Whether or not the movie happens any time soon, introducing a new Doctor to the Comic-Con faithful in 2013 would undoubtedly whip the show's fans into a huge frenzy.
But only time will tell if the departure of "the Ponds" is the beginning of the end of the current Smith-Moffat era. The actor and executive producer are only signed for the next season, which goes into production early next year. After that? At the risk of getting too punny about it, who knows? Though it's worth noting that rumors of Smith's possible departure sent the nerdier precincts of the Internet into a tizzy recently.
When I interviewed Smith at a Los Angeles hotel in August, he talked about enjoying the "Doctor Who" gig but wanting, at some point, to do films and get back into theater.
"I'm gonna shoot the next season and then see where I end up after that," Smith said at the time. Around the same time, Moffat told me in an interview: "I haven't got any kind of plans to leave. I take it one [season] at a time."
The thing is, Moffat currently has a heavy workload -- he is also an executive producer and writer of the PBS series "Sherlock," and before he took the reins of the "Doctor Who" franchise, he had a busy feature-writing career (he is one of the writers of "The Adventures of Tintin").
Here's a possible bit of geek heresy: Though I've generally quite enjoyed the Moffat era, which is marked by clever storytelling, cheeky humor and dizzyingly complex plots, I wouldn't mind if Smith were to stick around if Moffat does indeed depart the franchise. The most recent most recent "Doctor Who" season finale is a good example of what can sometimes go wrong in the occasionally over-caffeinated Moffat era. "The Wedding of River Song" had its moments, but, as I wrote in my review of it, it was superficial in all the areas in which I'd hoped it would go deep.
As I said in a recent piece, I'd love to see the actor explore different sides of the Doctor's character. Though Moffat increased the complexity of the adult relationships inside the TARDIS, he seems less than willing to take on intensely emotional stories in a direct way. As I wrote, I'm "quite intrigued by the idea of seeing Smith execute another writer's vision for the character." And it might be interesting to see him with another companion as well.
But that's just my two cents. As for what happens next in the "Doctor Who" universe, well, only time will tell.
Guild criticizes OWS, NYPD over "Law & Order" set snaffu
Guild criticizes OWS, NYPD over "Law & Order" set snaffu
The Writers Guild of America-East has written an open letter to the Occupy Wall Street movement and New York Police Department criticizing protesters who dismantled a "Law and Order: SVU" set designed to replicate the occupation, and police who then halted shooting on the show.
Yes, that's the WGAE complaining about OWS and the NYPD over "L&O: SVU." Not since the WPA have so many enjoyed so much alphabet soup.
The eastern branch of the union, an affiliate of the AFL-CIO, says it has "strongly and actively supported the Occupy Wall Street movement from its inception," and that it was frustrated that protesters dismantled a set last week, given that the show is written by union writers and that union crews work on it.
"The demonstrators' actions were as misguided and inappropriate as the City of New York's response -- revoking 'Law & Order''s permit for the shoot and directing the dismantling of its set," the union wrote. "Presumably the protesters and police did not set out to achieve a common end but together they prevented the scene from being filmed and the story from being told."
The NBC legal drama -- the last one standing from the once-thriving "Law & Order" franchise -- was scheduled to film on the "Mockupy" Wall Street set early Friday. It was created in downtown Manhattan, near the State Supreme Court building where "L&O" shows have frequently filmed.
Protestors danced, waved flags, poked through the library and kitchen elements of the set and even crawled inside tents, despite objections from people guarding the "L&O" production. One protester carried a sign that said, "We are a movement, not a TV plot."
(Don't most movements end up being both?)
Added the WGAE: "We continue to support Occupy Wall Street's aims and in the tradition of a city with a long history of upholding the right of free, peaceful speech for all, urge both the members of OWS and the police to treat last week's occurrence as an isolated incident, vowing that it not be repeated."
The Writers Guild of America-East has written an open letter to the Occupy Wall Street movement and New York Police Department criticizing protesters who dismantled a "Law and Order: SVU" set designed to replicate the occupation, and police who then halted shooting on the show.
Yes, that's the WGAE complaining about OWS and the NYPD over "L&O: SVU." Not since the WPA have so many enjoyed so much alphabet soup.
The eastern branch of the union, an affiliate of the AFL-CIO, says it has "strongly and actively supported the Occupy Wall Street movement from its inception," and that it was frustrated that protesters dismantled a set last week, given that the show is written by union writers and that union crews work on it.
"The demonstrators' actions were as misguided and inappropriate as the City of New York's response -- revoking 'Law & Order''s permit for the shoot and directing the dismantling of its set," the union wrote. "Presumably the protesters and police did not set out to achieve a common end but together they prevented the scene from being filmed and the story from being told."
The NBC legal drama -- the last one standing from the once-thriving "Law & Order" franchise -- was scheduled to film on the "Mockupy" Wall Street set early Friday. It was created in downtown Manhattan, near the State Supreme Court building where "L&O" shows have frequently filmed.
Protestors danced, waved flags, poked through the library and kitchen elements of the set and even crawled inside tents, despite objections from people guarding the "L&O" production. One protester carried a sign that said, "We are a movement, not a TV plot."
(Don't most movements end up being both?)
Added the WGAE: "We continue to support Occupy Wall Street's aims and in the tradition of a city with a long history of upholding the right of free, peaceful speech for all, urge both the members of OWS and the police to treat last week's occurrence as an isolated incident, vowing that it not be repeated."
Univsion unveils midseason lineup
Univsion unveils midseason lineup
Univision's midseason lineup includes a new weight loss show, "Dale con Ganas," co-produced by the creator of the "Biggest Loser," as well as "El Gran Show de los Peques," a new variety show showcasing childrens' talents.
The Spanish-language network, which aims to beat the English-language broadcasters in total viewers within the next five years, often tops at least one of them in the nightly ratings.
The network is also bringing back the reality/beauty show "Nuestra Belleza Latina"for a sixth season, beginning March 4. Next year will also mark the 50th anniversary of the returning Saturday night show "Sabado Gigante," hosted by Don Francisco.
Univision's midseason lineup includes a new weight loss show, "Dale con Ganas," co-produced by the creator of the "Biggest Loser," as well as "El Gran Show de los Peques," a new variety show showcasing childrens' talents.
The Spanish-language network, which aims to beat the English-language broadcasters in total viewers within the next five years, often tops at least one of them in the nightly ratings.
The network is also bringing back the reality/beauty show "Nuestra Belleza Latina"for a sixth season, beginning March 4. Next year will also mark the 50th anniversary of the returning Saturday night show "Sabado Gigante," hosted by Don Francisco.
"Extreme Makeover" cancelled by ABC after nine seasons
"Extreme Makeover" cancelled by ABC after nine seasons
Sorry, fans of inspirational home-renovation stories: "Extreme Makeover: Home Edition" is coming to an end.
ABC has decided to end the series' run after its ninth season wraps up in January. The show debuted in 2003 as a spin-off of "Extreme Makeover."
Its final episode -- the series' 200th -- will air on January 13, and will feature the team building seven homes in seven days for tornado victims in Joplin, Mo.
Luckily for the show's followers, the network will air special episodes of the series following the cancellation, though the network has announced no specific dates.
The handwriting had been on the tastefully-remodeled wall for some time. The show lost more than a third of its audience this season, thanks in part to a move to Friday. Between the start of the season and mid-November, it averaged a 1.5 rating in the adults 18-49 demographic. The 34.9 percent audience loss -- since the same period in 2010 -- made it No. 4 on TheWrap's list of the biggest ratings losers of the fall.
Meanwhile, host Ty Pennington has joined the cast of ABC's daytime talk offering "The Revolution," which premieres January 16.
Sorry, fans of inspirational home-renovation stories: "Extreme Makeover: Home Edition" is coming to an end.
ABC has decided to end the series' run after its ninth season wraps up in January. The show debuted in 2003 as a spin-off of "Extreme Makeover."
Its final episode -- the series' 200th -- will air on January 13, and will feature the team building seven homes in seven days for tornado victims in Joplin, Mo.
Luckily for the show's followers, the network will air special episodes of the series following the cancellation, though the network has announced no specific dates.
The handwriting had been on the tastefully-remodeled wall for some time. The show lost more than a third of its audience this season, thanks in part to a move to Friday. Between the start of the season and mid-November, it averaged a 1.5 rating in the adults 18-49 demographic. The 34.9 percent audience loss -- since the same period in 2010 -- made it No. 4 on TheWrap's list of the biggest ratings losers of the fall.
Meanwhile, host Ty Pennington has joined the cast of ABC's daytime talk offering "The Revolution," which premieres January 16.
ESPN, NCAA extend deal through 2023-24
ESPN, NCAA extend deal through 2023-24
ESPN and the NCAA have extended their TV rights deal through 2023-24, giving the network worldwide multi-media rights to 24 NCAA championships for various sports and exclusive international rights for men's basketball's "March Madness" tournament.
The new deal, which takes effect immediately, includes more than 600 hours of live telecasts across myriad ESPN platforms, from its flagship network to ESPN 3 to ESPN Deportes.
ABC News has reported that the deal is worth $500 million.
As it has before, ESPN will have exclusive coverage of the National Collegiate Athletic Association women's basketball championship and "broad" rights to the Division I football championship, and both the men's and women's College World Series.
To reach the total of 24 championships, ESPN has added seven more sports -- women's gymnastics, men's and women's fencing, Division I women's lacrosse, Division I men's and women's outdoor track, and women's bowling.
"We have enjoyed a great relationship with the NCAA that has spanned the history of ESPN," George Bodenheimer, president, ESPN and ABC Sports, and Co-Chairman, Disney Media Networks, said in a statement. "This is our most comprehensive agreement yet and ensures sports fans will have access to top-level NCAA athletics across ESPN networks and platforms."
The NCAA helped put ESPN on the map back in the 1980s with its coverage of men's college basketball. While domestic coverage of March Madness remains a joint venture between CBS and Turner with the Final Four airing on CBS, ESPN has the exclusive international rights. It also provides comprehensive coverage of the National Invitational Tournament, the second-tier year-end championship.
ESPN has "exclusive final round coverage" of everything from Division I soccer to wrestling to lacrosse. It will also air more early round coverage in several sports.
ESPN and the NCAA have extended their TV rights deal through 2023-24, giving the network worldwide multi-media rights to 24 NCAA championships for various sports and exclusive international rights for men's basketball's "March Madness" tournament.
The new deal, which takes effect immediately, includes more than 600 hours of live telecasts across myriad ESPN platforms, from its flagship network to ESPN 3 to ESPN Deportes.
ABC News has reported that the deal is worth $500 million.
As it has before, ESPN will have exclusive coverage of the National Collegiate Athletic Association women's basketball championship and "broad" rights to the Division I football championship, and both the men's and women's College World Series.
To reach the total of 24 championships, ESPN has added seven more sports -- women's gymnastics, men's and women's fencing, Division I women's lacrosse, Division I men's and women's outdoor track, and women's bowling.
"We have enjoyed a great relationship with the NCAA that has spanned the history of ESPN," George Bodenheimer, president, ESPN and ABC Sports, and Co-Chairman, Disney Media Networks, said in a statement. "This is our most comprehensive agreement yet and ensures sports fans will have access to top-level NCAA athletics across ESPN networks and platforms."
The NCAA helped put ESPN on the map back in the 1980s with its coverage of men's college basketball. While domestic coverage of March Madness remains a joint venture between CBS and Turner with the Final Four airing on CBS, ESPN has the exclusive international rights. It also provides comprehensive coverage of the National Invitational Tournament, the second-tier year-end championship.
ESPN has "exclusive final round coverage" of everything from Division I soccer to wrestling to lacrosse. It will also air more early round coverage in several sports.
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