The Matt Lucas Awards has been recommissioned for a second run.
The BBC One comedy talkshow will recommence recording in the autumn, the corporation announced this afternoon.
Based on Lucas's Radio 2 show And The Winner Is..., the format features celebrity guests providing nominations for artists or objects in a number of unorthodox categories.
Lucas wrote on Twitter at midday: "Delighted to announce that THE MATT LUCAS AWARDS will be returning to BBC ONE for a second series in 2013."
Following a pilot in June last year, a first run of six episodes aired on Monday nights in the late post-news slot of 10.35pm, starting in April and finishing late last month.
The Little Britain comic's mother and musician David Arnold have appeared in every edition of the programme so far.
Guests have included Louis Walsh, Johnny Vegas, Richard Madeley, Julian Clary and David Baddiel.
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zaterdag 2 juni 2012
Michael McIntyre mocks 'The Voice': 'Nobody cares anymore'
Michael McIntyre has claimed that his jokes about The Voice UK no longer raise a laugh with his audiences.
Mocking the BBC singing contest's recent loss of popularity, the Live at the Apollo comic said that "people aren't interested" in this year's competition.
Speaking on tonight's (June 1) Alan Carr: Chatty Man, he said: "I had a load of jokes about The Voice when it started. I was quite excited about those jokes, but nobody cares about them now.
"I say to my audiences, 'Are you watching The Voice?' They are like, 'No'. They don't laugh at the jokes.
"My Voice jokes were about the beginning when they had the twisting chairs - that was fun. They had their backs to them and if they liked them they would press their button and turn round.
"Once in a while you could sense that the person was so unattractive they were never going to have a career, which is why I thought there should be an emergency button so they can turn back round.
"But that joke stopped working because people aren't interested."
Carr also poked fun at The Voice's fall from grace, jesting: "This weekend is the series final and if they want to get those viewers back, they'll have to think outside the box and persuade Holly Willoughby's breasts to sing a duet. Now that would be worth tuning in for.
The Voice has even been beaten by Planet Earth Live. So perhaps for series two the BBC should combine the two and just film badgers having sex in revolving chairs. I'd watch. I've heard of singers miming to protect their voices but not their whole bloody career, for God's sake."
The 2012 Voice UK final airs on Saturday at 7.20pm on BBC One.
Mocking the BBC singing contest's recent loss of popularity, the Live at the Apollo comic said that "people aren't interested" in this year's competition.
Speaking on tonight's (June 1) Alan Carr: Chatty Man, he said: "I had a load of jokes about The Voice when it started. I was quite excited about those jokes, but nobody cares about them now.
"I say to my audiences, 'Are you watching The Voice?' They are like, 'No'. They don't laugh at the jokes.
"My Voice jokes were about the beginning when they had the twisting chairs - that was fun. They had their backs to them and if they liked them they would press their button and turn round.
"Once in a while you could sense that the person was so unattractive they were never going to have a career, which is why I thought there should be an emergency button so they can turn back round.
"But that joke stopped working because people aren't interested."
Carr also poked fun at The Voice's fall from grace, jesting: "This weekend is the series final and if they want to get those viewers back, they'll have to think outside the box and persuade Holly Willoughby's breasts to sing a duet. Now that would be worth tuning in for.
The Voice has even been beaten by Planet Earth Live. So perhaps for series two the BBC should combine the two and just film badgers having sex in revolving chairs. I'd watch. I've heard of singers miming to protect their voices but not their whole bloody career, for God's sake."
The 2012 Voice UK final airs on Saturday at 7.20pm on BBC One.
Hilary Devey quits 'Dragons' Den' after two series
Hilary Devey has left Dragons' Den, it has been announced.
The 55-year-old entrepreneur, who joined the BBC business series in February 2011 following the departure of James Caan, has chosen to instead sign an exclusive two-year deal with Channel 4.
According to the BBC's Ariel blog, Devey will be fronting a new factual entertainment series called The Intern for the channel, where hopefuls will compete to win an internship with a prestigious British business.
However, she will be appearing in the forthcoming series of Dragons' Den, which is currently being filmed in Salford to air in the autumn.
A spokesperson for the BBC said of Devey's departure: "Hilary has been a formidable Dragon in the Den and we're sorry to see her go.
"She will be breathing fire throughout the new series of Dragons' Den in the autumn on BBC Two but this upcoming series will be her last."
Devey made her approximately £50 million fortune by launching Pall-Ex, a palletised freight network, in 1996.
It was also reported earlier this month that she was raped at the age of 12, after Devey revealed the secret in her new autobiography Bold As Brass.
The 55-year-old entrepreneur, who joined the BBC business series in February 2011 following the departure of James Caan, has chosen to instead sign an exclusive two-year deal with Channel 4.
According to the BBC's Ariel blog, Devey will be fronting a new factual entertainment series called The Intern for the channel, where hopefuls will compete to win an internship with a prestigious British business.
However, she will be appearing in the forthcoming series of Dragons' Den, which is currently being filmed in Salford to air in the autumn.
A spokesperson for the BBC said of Devey's departure: "Hilary has been a formidable Dragon in the Den and we're sorry to see her go.
"She will be breathing fire throughout the new series of Dragons' Den in the autumn on BBC Two but this upcoming series will be her last."
Devey made her approximately £50 million fortune by launching Pall-Ex, a palletised freight network, in 1996.
It was also reported earlier this month that she was raped at the age of 12, after Devey revealed the secret in her new autobiography Bold As Brass.
Ratings: 'Touch' Hits Low With Finale; CBS Wins Nights With Repeats
Without "American Idol" as its lead-in, Fox's freshman drama "Touch" ended the season on a low note Thursday night, while ABC's "Duets" slipped further from last week's weak premiere and CBS won the night overall despite a lack of original programming, according to preliminary numbers.
CBS took first place in the advertiser-coveted 18-49 demographic with a 1.6 rating/5 share and in total viewers with 7.4 million. A "Big Bang Theory" repeat at 8 p.m. was the night's highest-rated and most-watched program with a 2.3/8 in the demo and 8.7 million total viewers.
ABC came in second in ratings and total viewers with an average 1.5/5 and 5.9 million. The network's new singing competition "Duets" at 8 dipped 12 percent in the demo from last week's premiere for a 1.5/5, and received 5.9 million total viewers. "Rookie Blue" at 10 ran even with last week's season premiere, posting a 1.4/4 and 5.8 million total viewers.
Fox took third place in ratings and total viewers with an average 1.3/4 and 4.7 million. The network ran back-to-back episodes of the Kiefer Sutherland drama "Touch," which suffered without an "American Idol" lead-in. Both episodes dropped 24 percent in the demo with a 1.3/5 and 1.3/4, and drew 4.6 million and 4.7 million total viewers.
NBC tied for fourth with Univision in the ratings, taking an average 1.2/4, and came in fourth in total viewers with an average 3.7 million. The network ran repeats throughout the night.
Univision averaged 2.8 million viewers throughout the night.
CBS took first place in the advertiser-coveted 18-49 demographic with a 1.6 rating/5 share and in total viewers with 7.4 million. A "Big Bang Theory" repeat at 8 p.m. was the night's highest-rated and most-watched program with a 2.3/8 in the demo and 8.7 million total viewers.
ABC came in second in ratings and total viewers with an average 1.5/5 and 5.9 million. The network's new singing competition "Duets" at 8 dipped 12 percent in the demo from last week's premiere for a 1.5/5, and received 5.9 million total viewers. "Rookie Blue" at 10 ran even with last week's season premiere, posting a 1.4/4 and 5.8 million total viewers.
Fox took third place in ratings and total viewers with an average 1.3/4 and 4.7 million. The network ran back-to-back episodes of the Kiefer Sutherland drama "Touch," which suffered without an "American Idol" lead-in. Both episodes dropped 24 percent in the demo with a 1.3/5 and 1.3/4, and drew 4.6 million and 4.7 million total viewers.
NBC tied for fourth with Univision in the ratings, taking an average 1.2/4, and came in fourth in total viewers with an average 3.7 million. The network ran repeats throughout the night.
Univision averaged 2.8 million viewers throughout the night.
Fox News Producer Staying Put After Obama Video Flap
It looks like Chis White is keeping his job at Fox News Channel. White was the associate producer at Fox & Friends credited with creating a four-minute video critical of President Obama that aired on the morning show Wednesday (see it here). “Chris White will remain employed with Fox News,” network EVP Bill Shine said today.
“We’ve addressed the video with the producers and are not going to discuss the internal workings of our programming any further.” White was allegedly offered a job at CNN, but the rival news network said yesterday it would not hire him after all.
“We’ve addressed the video with the producers and are not going to discuss the internal workings of our programming any further.” White was allegedly offered a job at CNN, but the rival news network said yesterday it would not hire him after all.
Kate Walsh Leaving 'Private Practice'
"Private Practice" was picked up for 13 episodes for its sixth season in the fall, and Walsh is committed to only those 13 episodes, Deadline.com reports. An ABC rep did not immediately respond to TheWrap's request for comment, while a rep for Walsh declined to comment.
News of Walsh's upcoming departure comes on the heels of co-star Tim Daly's announcement earlier this week that his contract had not been renewed for the show's sixth season.
"Private Practice" was considered to be on the bubble at the end of season five, so with two major cast members out and only a 13-episode commitment from the network, the show's sixth season could be its last.
Walsh's next project is playing the mom, with Dylan McDermott as the dad, in the movie adaptation of "The Perks of Being a Wallflower." The trailer for the September movie debuts during the pre-show of the MTV Movie Awards on Sunday.
Meanwhile, Walsh commented on Twitter this week about Daly's departure, but of questions surrounding her own future with "Private Practice," she tweeted this: "Tw'eeps, I'd like you to address all of your questions to this guy," with a link to a photo of ... her cat.
DC's Gay Green Lantern Is a Super Cop-Out
DC Comics is very proud of itself over the decision to make the original Green Lantern gay. It shouldn't be.
After promising a "major, iconic" character would come out, DC went about it in the weakest possible way. The home of Batman, Superman and Wonder Woman is well behind rival Marvel -- and oh-so-middle-of-the-road network television.
Let's just say it: Green Lantern is one of the lamest comic book characters. And this isn't even the Green Lantern anyone cares about -- Hal Jordan, the one Ryan Reynolds played in the movie. This is Alan Scott, a Green Lantern unknown to anyone but serious comics nerds, who debuted in the 1940s.
DC is loving the free publicity over its not-so-bold move. James Robinson, who writes "Earth 2," the comic you've never heard of that features the gay Green Lantern, told USA Today: "He's going to be the leader of the team, this dynamic hero, he'll do anything to save people, the bravest man on the planet. Why not just make him gay as well?"
That sounds like DC patting itself on the back. Robinson, for all his good intentions, sounds kind of like that white guy who says, "I don't see you as a black dude, I just see you as a dude." As if that makes him worthy of a Nobel Peace Prize.
Truth be told, comics -- especially DC comics -- are far behind television and other media in offering positive portrayals of gay characters. Which is ridiclous. Comics, which are basically soap operas with super heroes, can afford to take risks because of their very niche-oriented audience. DC should have done this years and years ago with a much more prominent character.
Before anyone says, "But the children," go to a comic book store and see if you see any children there. And no one's arguing that comics should feature graphic sex between Batman and Robin. Or any kind of sex.
Mainstream comics' timidity about sexuality isn't entirely their fault. For decades, the Comics Code, which existed partly to prevent kids from being indoctrinated into homosexuality (as if such a thing were possible) kept Marvel and DC from letting characters be openly gay.
But Marvel found a way around the Comics Code. Chris Claremont's run on "The Uncanny X-Men" treated mutants as stand-ins for a wide range of historically oppressed groups. The excellent "New Mutants" issue number 45 featured a character who is taunted by bullies and accused of being a mutant. He kills himself because he actually is. Can't figure out the symbolism here? The X-Men's Kitty Pryde spells it out in a eulogy at the end of the issue:
"Who was he, then, that we gather to mourn him? Who am I? A four-eyed, flat-chested, brat, chick, brain, hebe, stuck-up Xavier's snob freak! Don't like the words? I could use nicer.
I've heard worse. Who here hasn't? So often, so casually, that maybe we've forgotten the power they have to hurt. Nigger, spic, wop, slope, faggot, mutie--the list is so long. And so cruel. They're labels. Put downs. And they hurt."
As AfterElton put it, "Kitty's inclusion of a gay slur in her list of hateful words was a quiet acknowledgment that the X-Men's angst was meant for them, too."
I read that Comics Code-approved comic book when it came out in 1986. I was 11. It didn't turn me gay, but it made me a little less stupid. Thanks, Kitty Pryde.
In 1992, another mutant, Alpha Flight's Northstar, came out. He's the Marvel character who just married another man. Marvel is way ahead of DC, but still behind "Modern Family," one of the most popular shows on TV. (Northstar is also fairly lame, as superheroes go -- he's never been a key player in the Marvel Universe. But still, it was a pretty big move for 1992.)
The dozen or so moms at One Million Moms -- who object, basically, to gay people existing -- are making DC look braver than it is by again raising the spectre of "indoctrination." But this isn't authentic trangulation, where there are two extremes and DC is finding itself in the moderate middle.
Rather, it's a case of millions of Americans accepting the existence of gay people (and realizing it isn't up to them, or anything but genetics), and one very small, very irrelevant group making a lot of noise with help from news organizations trying to present "both sides" of the issue.
But this shouldn't be an issue, and it doesn't have two equal sides.
DC, you should have gone with Superman. It might have finally made him interesting.
After promising a "major, iconic" character would come out, DC went about it in the weakest possible way. The home of Batman, Superman and Wonder Woman is well behind rival Marvel -- and oh-so-middle-of-the-road network television.
Let's just say it: Green Lantern is one of the lamest comic book characters. And this isn't even the Green Lantern anyone cares about -- Hal Jordan, the one Ryan Reynolds played in the movie. This is Alan Scott, a Green Lantern unknown to anyone but serious comics nerds, who debuted in the 1940s.
DC is loving the free publicity over its not-so-bold move. James Robinson, who writes "Earth 2," the comic you've never heard of that features the gay Green Lantern, told USA Today: "He's going to be the leader of the team, this dynamic hero, he'll do anything to save people, the bravest man on the planet. Why not just make him gay as well?"
That sounds like DC patting itself on the back. Robinson, for all his good intentions, sounds kind of like that white guy who says, "I don't see you as a black dude, I just see you as a dude." As if that makes him worthy of a Nobel Peace Prize.
Truth be told, comics -- especially DC comics -- are far behind television and other media in offering positive portrayals of gay characters. Which is ridiclous. Comics, which are basically soap operas with super heroes, can afford to take risks because of their very niche-oriented audience. DC should have done this years and years ago with a much more prominent character.
Before anyone says, "But the children," go to a comic book store and see if you see any children there. And no one's arguing that comics should feature graphic sex between Batman and Robin. Or any kind of sex.
Mainstream comics' timidity about sexuality isn't entirely their fault. For decades, the Comics Code, which existed partly to prevent kids from being indoctrinated into homosexuality (as if such a thing were possible) kept Marvel and DC from letting characters be openly gay.
But Marvel found a way around the Comics Code. Chris Claremont's run on "The Uncanny X-Men" treated mutants as stand-ins for a wide range of historically oppressed groups. The excellent "New Mutants" issue number 45 featured a character who is taunted by bullies and accused of being a mutant. He kills himself because he actually is. Can't figure out the symbolism here? The X-Men's Kitty Pryde spells it out in a eulogy at the end of the issue:
"Who was he, then, that we gather to mourn him? Who am I? A four-eyed, flat-chested, brat, chick, brain, hebe, stuck-up Xavier's snob freak! Don't like the words? I could use nicer.
I've heard worse. Who here hasn't? So often, so casually, that maybe we've forgotten the power they have to hurt. Nigger, spic, wop, slope, faggot, mutie--the list is so long. And so cruel. They're labels. Put downs. And they hurt."
As AfterElton put it, "Kitty's inclusion of a gay slur in her list of hateful words was a quiet acknowledgment that the X-Men's angst was meant for them, too."
I read that Comics Code-approved comic book when it came out in 1986. I was 11. It didn't turn me gay, but it made me a little less stupid. Thanks, Kitty Pryde.
In 1992, another mutant, Alpha Flight's Northstar, came out. He's the Marvel character who just married another man. Marvel is way ahead of DC, but still behind "Modern Family," one of the most popular shows on TV. (Northstar is also fairly lame, as superheroes go -- he's never been a key player in the Marvel Universe. But still, it was a pretty big move for 1992.)
The dozen or so moms at One Million Moms -- who object, basically, to gay people existing -- are making DC look braver than it is by again raising the spectre of "indoctrination." But this isn't authentic trangulation, where there are two extremes and DC is finding itself in the moderate middle.
Rather, it's a case of millions of Americans accepting the existence of gay people (and realizing it isn't up to them, or anything but genetics), and one very small, very irrelevant group making a lot of noise with help from news organizations trying to present "both sides" of the issue.
But this shouldn't be an issue, and it doesn't have two equal sides.
DC, you should have gone with Superman. It might have finally made him interesting.
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